FRANK PROTO SONATA 1963 PDF

Documents Similar To Contrabajeando ( piano+contrabajo). Uploaded by. JuanAneirosMonti · frank proto – sonata The Sonata “” for Double Bass by Frank Proto is one of the major contemporary works for the bass. Frank Proto. Sonata for Double bass & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter · tumblr.

Author: Fetaxe Kigahn
Country: Sierra Leone
Language: English (Spanish)
Genre: Travel
Published (Last): 17 July 2009
Pages: 412
PDF File Size: 4.37 Mb
ePub File Size: 1.4 Mb
ISBN: 341-4-36552-665-3
Downloads: 4177
Price: Free* [*Free Regsitration Required]
Uploader: Tocage

In the pair finished their largest project to date: This conversation was recorded at his hotel in Chicago on Snoata 15, His interviews have also appeared in various magazines and journals sinceand he now continues his broadcast series on WNUR-FMas well as on Contemporary Classical Internet Radio. Bridges – Eddie Daniels plays the music of Frank Protowhich features the world premiere performances and recordings of Sketches of Gershwin and Sextet for Clarinet and Strings.

It has subsequently been performed hundreds of times worldwide by scores of bassists, and has entered the standard double bass repertoire. The prroto piece — Sonata for Double Bass and Piano — was his first composition.

Fran the early s Frank earned his living as a free-lance bassist in New York City, performing with such organizations as the Symphony of the Air, American Symphony, the Robert Shaw Chorale, and — as one of the original members — the Princeton Chamber Orchestra.

The prize included a commission for a major orchestra work. Unable to find one he liked, he decided to write his own.

Proto SONATA 1963

He programmed a baroque work, a romantic piece, and an avant-garde composition using electronic tape, but he wanted a contemporary composition in a more American style.

Their most recent collaboration, The Tuner, a Musical Prophecy in Seven Scenes for Vocalist, Actors and Musiciansis a musical what if centered around the events of the present time. Proto believes strongly in maintaining the connection between composing and performing — a tradition that once was the norm but is now the exception outside of the jazz and pop fields.

Orchestral works include; Can this be Man? The result – The Fools of Time – is a jazz-based work and was premiered in February This transcription was made and posted on this website in Proto is also passionate in his belief that performing artists and composers should not hesitate to tackle the pressing issues that confront society today – the controversial social and political issues that most artists in this supposedly free society of ours are loathe to confront with their art.

  CAVANILLESIA PLATANIFOLIA PDF

Their pieces bring a more all-encompassing, quasi theatrical experience to audiences. He began piano studies at the age of 7 and the double bass at the age of 16 while a student at the High School of Performing Arts in New York City. Portions were broadcast on WNIB in and As a student of David Walter, Frank performed the first solo double bass recital in the history of the school. Proto composed both the Music sobata the text for the piece.

He does not hesitate to pick up his bass eonata play with a jazz or chamber music group or travel pproto or far to play a solo recital. To date they have written eight works together, the most notable being Ghost in Machine – an American Music Drama for Vocalist, Narrator and Orchestra. Writing for the Pops, his Casey at the Bat has been performed over times and has been recorded twice, while his Carmen Fantasy for Trumpet and Orchestra — sobata and recorded by Doc Progo — recently received its th performance.

Currently in a long-term project to record all of his chamber music for the Red Mark label — Eight CDs and Four DVDs have been released to date, with several more in various stages of production — he continues to maintain his double life as both a composer and performer.

Frank Proto was born in Brooklyn, New York in As a composer he his self-taught.

Sonata for Double bass & piano | Details | AllMusic

The result is as exhilarating as it is natural. Their techniques have enabled them to bond in new ways with audiences, resulting in spectacularly-successful performances. After graduating he attended the Manhattan School of Music where he earned his bachelor’s and master’s degrees. Commissioned by the Cincinnati Symphony for the its th anniversary inthe work brought Proto and Chenault together with the vocalist Cleo Laine and actor Paul Winfield for the first time.

  DEAN KOONTZ THE MOONLIT MIND PDF

Working in such an all-encompassing musical atmosphere, both as a player and a composer, has resulted in Proto being able to become as comfortable with the large orchestra as he is with a jazz rhythm section.

He also played with various Broadway donata Off-Broadway show bands and in many of the jazz clubs that were a mainstay of New York nightlife at the time. Frank proho appointed Composer-in-Residence by Thomas Schippers in and during his tenure with the orchestra every music director commissioned him to compose works to feature various principal players, visiting guest soloists or the orchestra itself on its subscription concerts, including Max Rudolf Concerto No.

Together they have explored various ways to utilize the orchestra in ways beyond the traditional.

Frank Proto: Sonata 1963

Ghost is a work that is not easily pigeon-holed. He has written Rabbath four major fgank — with a fifth in the works — with orchestra that span a musical landscape from the most contemporary and serious – Four Scenes after Picasso – to the most unusual Carmen Fantasy that anyone is likely to encounter.

The success of Ghost resulted in two new commissions for the pair. Shadowboxer – an opera based on the life of Joe Louis.

Proto and Daniels also collaborated on a year-long DVD project: In Proto began another collaboration — with poet, playwright and author John Chenault. Commissioned by the Clarice Smith Performing Arts Center and the University of Maryland School of Music, the two-act, two and a half hour production was directed by Leon Major and was given it’s premiere production in April of porto To see a full list with links of interviews which have been transcribed and posted on this website, frnak here.